Timothy Anderson is Associate Professor of Trombone at the College-Conservatory of Music, University of Cincinnati (CCM), a position he has held since 2006. Teaching duties include Applied Lessons, Chamber Music, Excerpt Class, Studio Class, Trombone Choir, and other related trombone topics.
In addition to his duties at CCM, Professor Anderson has served as Principal Trombone of the Dayton Philharmonic for 27 years. He has appeared as a soloist with that orchestra on multiple occasions and contributed to several recordings.
As a chamber musician, Mr. Anderson is an active member of the Elysian Trombone Consort. This group has commissioned and premiered over 25 new works for trombone quartet. Several of the works written for this group have already entered the standard repertoire.
Mr. Anderson is a former member of the Carillon Brass Quintet where he was active for over 20 years. In addition to presenting many chamber recitals, the quintet served as guest artists with orchestras and bands. During those “quintet years” Mr. Anderson was part of over 1500 educational concerts in public and private schools.
As an advocate for new music, Mr. Anderson has premiered many new solo works and recorded two CDs of original commissions-Trav'ler and Ex Libris. A third recording of original works for trombone and organ is underway.
Professional appearances include Ohio Music Educator’s Conference, American Trombone Workshop, International Trombone Festival, College Music Society, and the International Women’s Brass Conference. He has given several recital and masterclass tours and presented at colleges and universities around the country.
For the opportunity to study with Timothy Anderson at CCM, inquire or apply at https://ccm.uc.edu/admissions-and-aid.html.
Steven Winteregg’s suite of three Latin American-inspired pieces, Danzas, is a synthesis of, and modern American take on, the rhythmic and melodic styles found in the lively dance music of Argentina, Brazil, and Cuba. The first movement tango, titled “Argentina,” began as the stand-alone composition Fireside Tango and can be performed with or without bass and percussion. “Brazil” and “Cuba” were added in 2010 to round out the suite.
Dunbariana, composed for trombone, banjo, piano, and narrator by Steven Winteregg, is based on the poetry of celebrated African-American poet and Dayton native Paul Laurence Dubar, Its four movements are named for the poems that inspired them. Winteregg's choice of instrumentation, harmonies, and melodies are designed to capture the feeling of 19th century American life. Narrated by the noted Dunbar scholar Dr. Herbert Woodward Martin, this commission was paid for by the Tangeman Sacred Music Foundation.
Raymond Horton's arrangement of Let All Mortal Flesh Keep Silence is the first of two works for trombone quartet. The biblical text has been set to numerous melodies; the one in this arrangement, the French medieval tune known as Picardy, is perhaps the most well-known. Horton's version sets the melody three different ways, the final being an adaptation of the common Gustav Holst setting.
Tim Anderson performs Gustav Mahlers Symhpony No. 3 in D minor trombone solo.